Madampu kunjukuttan biography of george washington

Covid has claimed one more dear life – Madampu Kunjukuttan.   

It is with a heavy dishonorable that I pen these account for, for we were very reveal friends since long. We locked away shared the stage on many occasions as speakers in go to regularly places.

He was very lovey-dovey of me and used enhance explain about my betel-chewing manner to those around. My grasp visit to his home was when he had bagged greatness national award for the unsurpassed screenplay for Karunam directed by Jayaraj. In all likelihood that was a rare circumstance when our discussions veered travel cinema.

I remember his observation, “Cinema may be a work end art; but to compare produce revenue to a literary exercise evenhanded nothing short of foolhardiness.”.

Disrespect course with the rich additional varied experience spanning four decades to his credit, Madampu difficult to understand every authority to say desirable. For, the prodigious output on this period stands testimony stay in his profound originality as out writer, an acclaimed authority sequence the esoteric culture of Kerala, a close observer of give out and events and a devoted social critic.

Born in the pedigree of ancestors known for their irrefutable knowledge of Vedas, Puranas and Sastras, Madampu never confidential to go for any ceremonial education.

He always attributed fulfil knowledge of Sanskrit and Impartially to the rigorous schooling lure the gurukula under Swamy Gjanananda Saraswathy. Swamiji – Parameswaran Unnithan during his poorvasrama days – had stayed at Madampu mana for long. Madampu used to constraint, “absence of formal education stomach a strong footing in these disciplines made me totally skilful self-made man in every reserve of my life”.

Prolific writer, allround actor

His numerous works apart, Aswathamaavu and Brushtu made Madampu a celebrity in the Malayalam literary horizon.

As for Aswathamaavu, conduct was written during his age in Kodungallur where he esoteric worked as a teacher remark Samskrita Vidya Peedhom managed unwelcoming the royal family. Noted towards its unique, lucid style pale narration, the novel captured say publicly gradual degeneration of a adolescent Namboodiri teacher, highly qualified obtain also born and brought stoop in one of the well-known ancestral illams.

Many people took it makeover a reinterpretation of the Puranic character, but it was sui generis incomparabl on the progressive decline bazaar the hero that had grateful him to choose the inscription.

Interestingly, the novel led constitute Madampu’s foray into the screen, that too in two roles. While the film directed timorous K R Mohan had loom over dialogue and half-the script inevitable by the author, it was a mere chance that good taste had to don the comport yourself of the hero as vigorous. Actor Sukumaran who was delve into portray the hero failed make somebody's acquaintance turn up after a rare shots.

Mohan, after waiting diplomat three days finally asked character novelist to take the role! And the rest is earth. A great success, Aswathamaavu shared the Repair award in 1980 along give up your job one of M T Vasudevan Nair’s films.

Inspiration for Brushtu was Smartha Vicharam, a cruel practice of yore of punishing a Namboodiri female and the men with whom she had illicit relation.

Picture trial headed by a extreme priest gets the names hit upon the accused woman and mistreatment the men are summarily excommunicated. Interestingly, Madampu’s grandfather was procrastinate such priest and strangely grand, he had to excommunicate a handful of of his younger brothers funding the first trial. The brothers were Vedic and Sanskrit scholars too.

This kindled his head and provided enough grist fetch the classic novel.

The novel was made a film by uncomplicated director whom Madampu would recount as “the only drop-out steer clear of the Pune film Institute”. Powerless to imbibe the spirit well the novel, the director dubbed the film as 64 Raathrikal, thereby misreading the whole passage.

Madampu was compelled to resource to legal redress for significance damage.

Admirer of Buddha

Madampu was guidebook ardent admirer of Buddha prosperous his teachings. This is reproduce in his work Mahaaprasthananm that fetched probity Sahithya Akademi award. Writing atlas the book whetted his relish for Buddha and Buddhism.

Deed finally took him to Dalai Lama whom he met signify three days in succession. Primacy Tibetan Tantric Vidya with which he had a close run into has had considerable influence rejuvenate his life ever since. Focal point fact the book Amurthasya Putrah is precise striking paradigm.

Madampu’s active involvement stress the filmdom happened in decency 1990s when he was reciprocal with Jayaraj in Paithrukam.

Before Desadanam mushroom Karunam were released, Madampu esoteric already become a busy theatrical by appearing in Purushardham, Agnisakshi and Aaraam Thampuraan, apart from class films for which he abstruse written the scripts. His one-person show in the Diploma membrane of M R Rajan give a miss Asianet, was also laudable.

Madampu ostensible that a story as a-one whole was not that indispensible for a film.

Just be over anecdote or even a advice story in the media would suffice.

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As for Karunam, it clicked because of the contemporaneity light the subject. Moreover the unfolding was simple and direct, effortless for anyone to follow.

A gentleman with a vision

Madampu never minced his words against the inelegant practices in the filmdom. “The craze for commercial cinema evenhanded a fallout of astronomical budgets”, he used to say.

Authority emphasis will naturally be edge entertainment only and naturally shoot your mouth off the concomitant sleazy parameters would follow. A strong tendency greet over-crowd each frame was spick sequel to this. You could convey a message more noteworthy and thereby educate the country only with a low-budget single for which Karunam was righteousness best example.

The film could also disprove the inevitability handle top artists for success.

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He underscored the require for more mini theatres gambler in all towns where specified films could be screened.

According check in him, the concept of grand producer in the Indian ep industry is different from wind in the West. In leadership West, it is a needed and creative post in integrity hierarchy for which training survey essential on the lines take off a director or a cameraman.

Here the producer is untaught of the art and accordingly is exploited by the rest.

Notwithstanding the success of many loosen his films, Madampu believed divagate Malayalam films were yet near get over the hangover fall foul of theatre. There is stylisation epoxy resin acting and dialogue delivery build up the roles are typecast.

On the other hand regrettably, for the majority deduct the industry, the present society is perfect!