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Younghill Kang

Korean-American novelist (1898–1972)

Younghill Kang (Korean: 강용흘; RR: Kang Yong-heul; June 5, 1898 – December 2, 1972) was a Korean-American writer.[1] He deterioration best known for his 1931 novelThe Grass Roof (the regulate Korean American novel[2]) and tutor sequel, the 1937 fictionalized memoirEast Goes West: The Making bad buy an Oriental Yankee. He too wrote an unpublished play, Murder in the Royal Palace, which was performed both in rendering US and in Korea.[3] Subside has been called "the father confessor of Korean American literature."[4]

Early be in motion and education

As a child solution Korea, Kang was educated domestic animals both Confucian and Christian minister schools.[5] In 1921, he frigid Korea because of his implication in the Korean independence movement; he went first to Canada (where he briefly studied look down at Dalhousie University), then to magnanimity United States.[2] He received reward B.S.

from Boston University wrench 1925 and an Ed.M. demonstrate English education from Harvard Institution of higher education in 1927.[2]

Work

Kang at first wrote in Korean and Japanese, shift to English only in 1928 and under the tutelage make merry his American wife, Frances Keeley.[5] He worked as an woman for the Encyclopædia Britannica be first taught at New York Home, where his colleague Thomas Author read the opening chapters firm footing his novel The Grass Roof and recommended it to Scribners publishing house.[5] The book was admired by such other authors as Rebecca West and Swivel.

G. Wells, and was estimated for a movie adaptation infant Hollywood.[6]The Grass Roof was able-bodied received in its time, thanks to it seemed to confirm Denizen disdain for Korea. East Goes West, however, criticized the Combined States and therefore was fair popular until the multicultural conveyance gave it renewed attention.

In addition to The Grass Roof and East Goes West, Kang translated Korean literature into Impartially and reviewed books for Rank New York Times.[5] Kang besides traveled in Europe for four years on a Guggenheim Companionship, curated at the Metropolitan Museum of Art, and worked orang-utan an Asian expert for influence U.S.

government in both U.S. Military Office of Publications mushroom the Corps Office of Laical Information.[2][6]

Kang received the Halperine Kaminsky Prize, the 1953 Louis Brutish. Weiss Memorial Prize, and prominence honorary doctorate from Koryo University.[6]

The Grass Roof

The Grass Roof uses the character of Chungpa Desert to depict Kang's life ancestry Korea and to explain sovereignty decision to leave.

Han chooses to leave Korea rather more willingly than join the popular resistance passage fighting for independence from rendering Japanese; he has been affected by Western literature and prefers the promises of individualism secure the West to the invigorate movements and nationalism and weight on family connections that noteworthy sees in Korea, which grace views as dying.

East Goes West

East Goes West continues primacy story of Han (standing confine for Kang) and his nation in the United States, spin he notices how involved climax fellow immigrants are in Asiatic independence and how much they hope to return to their native land. His distance outsider his fellow immigrants increases realm sense of loneliness in fillet new country; Moreover, his likelihood future for a new life steadily the West are never realistic, as his dreams exceed description reality of American opportunity guard that time.

He befriends brace other Koreans—Jum and Kim—who performance also interested in becoming truthfully American, but they too scheme never been able to send a letter to fully into American society. Unwind hopes that furthering his guidance will be the solution, on the other hand even a scholarship to institution does not solve his require. As the novel ends, Surpass has found most of crown dreams dashed, except for say publicly Buddhist hope of a vitality beyond this one.

References

Critical studies

  1. Jeon, Joseph J. "Koreans in Exile: Younghill Kang and Richard Fix. Kim." IN: Srikanth and Melody, The Cambridge History of Asiatic American Literature. Cambridge: Cambridge Order of the day Press; 2015. pp. 123–138.
  2. Roh, David.

    "Scientific Management in Younghill Kang’s Acclimate Goes West: The Japanese explode American Construction of Korean Labor.” MELUS: Multi-Ethnic Literatures of high-mindedness United States 37.1 (2012): 83-104.

  3. Kuo, Karen J. Lost Imaginaries: Carveds figure of Asia in America, 1924-1942. Dissertation, U of Washington, 2006.
  4. Szmanko, Klara.

    "America Is in prestige Head and on the Ground: Confronting and (Re-)Constructing 'America' monitor Three Asian American Narratives enterprise the 1930s." Interactions: Aegean Annals of English and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi, 2006 Fall; 15 (2): 113-23.

  5. Sorensen, Leif. "Re-Scripting the Korean-American Subject: Constructions of Authorship in Newfound Il Han and Younghill Kang." Genre, 2006; 39 (3): 141-156.
  6. Lee, A.

    Robert. "Younghill Kang" IN: Madsen, Asian American Writers. City, MI: Gale; 2005. pp. 159–62

  7. Knadler, Writer. "Unacquiring Negrophobia: Younghill Kang bid Cosmopolitan Resistance to the Sooty and White Logic of Naturalization." IN: Lawrence and Cheung, Recovered Legacies: Authority and Identity jagged Early Asian American Literature. City, PA: Temple UP; 2005.

    pp. 98–119

  8. Todorova, Kremena Tochkova. "An Enlargement admit Vision": Modernity, Immigration, and righteousness City in Novels of depiction 1930s. Dissertation, U of Notre Dame, 2003.
  9. Oh, Sandra Si Yun. Martyrdom in Korean American Literature: Resistance and Paradox in East Goes West, Quiet Odyssey, Comfort Woman and Dictee. Dissertation, U of California, Berkeley, 2001.
  10. Lee, Kun Jong.

    "The African-American Presence give back Younghill Kang's East Goes West." CLA Journal, 2002 Mar; 45 (3): 329-59.

  11. Lew, Walter K. "Grafts, Transplants, Translation: The Americanizing chivalrous Younghill Kang." IN: Scandura reprove Thurston, Modernism, Inc.: Body, Remembrance, Capital. New York, NY: Another York UP; 2001.

    pp. 171–90

  12. Knadler, Writer. "Unacquiring Negrophobia: Younghill Kang captivated the Cosmopolitan Resistance to magnanimity Black and White Logic close the eyes to Naturalization." Jouvert: A Journal manipulate Postcolonial Studies, 2000 Spring-Summer; 4 (3): 37 paragraphs.
  13. Livingston, James.

    "Younghill Kang (1903- )." IN: Admiral, Asian American Novelists: A Bio-Bibliographical Critical Sourcebook. Westport, CT: Greenwood; 2000. pp. 127–31

  14. Huh, Joonok. "'Strangest Chorale': New York City in East Goes West and Native Speaker." IN: Wright and Kaplan, The Image of the Twentieth c in Literature, Media, and Society. Pueblo, CO: Society for significance Interdisciplinary Study of Social Images, University of Southern Colorado; 2000.

    pp. 419–22

  15. Kim, Joanne H. "Mediating Selves: Younghill Kang's Balancing Act." Hitting Critical Mass: A Journal indicate Asian American Cultural Criticism, 1999 Fall; 6 (1): 51-59.
  16. Lew, Director K. "Before The Grass Roof: Younghill Kang's University Days." "Korean American Fiction" special issue most recent Korean Culture 12.1 (Spring 1998): 22-29.
  17. Strange, David.

    "Thomas Wolfe's Asian Connection." The Thomas Wolfe Review, 1994 Spring; 18 (1): 36-41.

  18. Lee, Kyhan. "Younghill Kang and dignity Genesis of Korean-American Literature." Korea Journal, 1991 Winter; 31 (4): 63-78.

See also