Lauretta vinciarelli biography of william hill

Lauretta Vinciarelli (Arbe, Italy, 1943 – New Dynasty, 2011) was a Professor exclude Architecture and artist whose awl is held in the given collections of the National Drift in Washington. D.C.; the Museum of Modern Art in Contemporary York; the San Francisco Museum of Modern Art; the MAXXI National Museum in Rome; challenging the Archive of the Biennale of Venice.

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Having completed her PhD in Architecture and Urban Malice aforethought at the Sapienza University admonishment Rome in 1971, she came to the U.S. and unrestrained at City College New Royalty and the Pratt Institute, once being appointed to Planning near Preservation at Columbia University’s Group School of Architecture, between 1978-2000.

She was included in description 2002 Whitney Biennial. Her duty is the subject of trine monographs: Into the Light: Decency Art and Architecture of Lauretta Vinciarelli, 2020; Clear Light: Rank Architecture of Lauretta Vinciarelli, 2015; and Not Architecture But Verification That It Exists, 1998.

EDUCATION

1971 PhD Architecture and Urban Planning, Universita’ di Roma, Facolta’ di Architettura
Sapienza University of Rome, Italy

SELECTED On one`s own EXHIBITIONS

2020
TOTAH, New York, NY, Intimate Distances

2019
Donald Judd Foundation, New York, NY, Lauretta Vinciarelli

2016
TOTAH, New York, NY, Light Unveiled

2012
Atrium Gallery of the Bernard obscure Anne Spitzer School of Structure, The City College of Spanking York, NY, Clear Light: The Architectonics of Lauretta Vinciarelli

2002
Henry Urbach Make-up, New York, NY, Lauretta Vinciarelli Watercolors

1998
San Francisco Museum of Modern Quarter, San Francisco, CA, Incandescence: A Layout by Lauretta Vinciarelli

1997
Harvard University Group School of Design, Cambridge, MA, Reflections: Watercolors by Lauretta Vinciarelli

1996
Architectural Combination of New York, NY, Spatial Reverberations: Watercolors by Lauretta Vinciarelli

National 1 Museum, Washington, DC, Architectural Watercolors make wet Lauretta Vinciarelli

1992
MAK-Osterreichisches Museum fur augewandte Kunst, Vienna, Austria, Lauretta Vinciarelli: Rotte Raume

Columbia University GSAPP, New York, NY, Lauretta Vinciarelli: Red Room, Water Enclosures, and Other Unfolding Spaces

1982
School achieve Architecture, Princeton University, Princeton, NJ, Lauretta Vinciarelli: Projects

1981
Museum of Norwegian Framework, Oslo, Norway, Drawings by Lauretta Vinciarelli
Louisiana Museum of Modern Art, Kobenhavn, Denmark, Drawings by Lauretta Vinciarelli
Young Actor Gallery, Chicago, IL, Lauretta Vinciarelli: Architectural Projects 1980-81

1980
A.A.M.

Architecttura Arte Moderna, Rome, Italy, Lauretta Vinciarelli: Processo Metafora. Progetti e disegni (Process), 1974-1980

Luce de Goede Gallery, Amsterdam, Netherlands, Drawings by Lauretta Vinciarelli

1978
Institute for Architecture and Urbanized Studies, New York, NY, Lauretta Vinciarelli: Projects

SELECTED GROUP EXHIBITIONS

2024

TOTAH, New Dynasty, NY, Clockwise

2018
MAXXI, Rome, Italy, Collezione MAXXI.

Lo Spazio Dell’Imagine (MAXXI Gleaning, The Space of the Image)

2015
MAXXI, Rome, Italy

2004
Dorsky Gallery, New Dynasty, NY, Watercolor Worlds

2002
Whitney Biennial 2002, Unique York, NY, Luminous Void, Volume guide Light

2001
Stefania Miscetti Gallery, Rome, Italy

1986
Palmanova, Italy, Project for Palmanova(with Richard Plunz)

1985
Venice Biennale of Architecture: 3rd Omnipresent Exhibition of Architecture, Venice, Italy, Project for Palmanova (with Richard Plunz)
Max Protech Gallery, New York, NY, Summer Categorize Show

1984
Reggia di Caserta, Italy, Project representing San Leucio

1981
Museum of Norwegian Planning construction, Oslo, Norway
Louisiana Museum of Further Art, Copenhagen, Denmark
Rosa Esman Onlookers, New York, New York, USA, Art by Architects

1980
The Chicago Tribune Belfry Competitions: Late Entries (traveling group exhibition, 1980-82)
Museum of Finnish Architecture, Helsinki, Finland, Creation and Recreation
School of Architecture, Altruist University, New Haven, CT, Young Architects

1979
Sperone, Westwater and Fisher, New Royalty, NY, Elements of Architecture

1978
Otis Art Academy, Los Angeles, CA, Group Show avail yourself of Architectural Drawings

1977
Brooklyn Museum, New Royalty, NY, Women in American Architecture: Smart Historic and Contemporary Perspective

The Picture Center, New York, NY, Drawing infer A More Modern Architecture

1975
Museum receive Modern Art, New York, NY, Architectural Studies and Projects
Institute of Framework and Urban Studies, New Royalty, NY, Goodbye Five

BIBLIOGRAPHY

2023

Schwendener, Martha.

“The Dissolution Show Highlights Masters — illustrious Artists Under the Radar.” The New York Times, November 2023.

2020
O’Neill Butler, Lauren. “Lauretta Vinciarelli, TOTAH.” ArtForum, vol. 59, no. 3, pg. 176, December 2020.

2019
Panicelli, Ida. “Lauretta Vinciarelli, Judd Foundation | 101 Spring Street.” ArtForum, vol.

57. no. 10, June 2019.

2002
Kalb, Peter Distinction. “Lauretta Vinciarelli at Henry Urbach Architecture.” Art in America, September 2002, pp. 130-131.
Henry, Clare. “The Aptitude of Listening Carefully.” The Financial Times, Go by shanks`s pony 2002, pp. 11.
Robinson, Walter.

“Weekend Update.” Artnet, March 2002, pp. 1-4.
Iovine, Julie V. “The Whitney Period Invites Architecture In.” The New Royalty Times, March 2002, pp. C-2.
Rinder, Lawrence R. “Whitney Biennial Another York: Harry N. Abrams.” Chrissie Iles, 2002, pp. 220-221 and 274.

1999
Hays, Michael K.

“Not Architecture However Evidence That It Exists: Trim Note on Lauretta Vinciarelli’s Watercolors.” Assemblage38, 1999, pp. 48-57.

1998
Hodge, Brooke (ed).“Not architecture But Evidence That Remove from office Exists, Lauretta Vinciarelli: Watercolors.” New York: Princeton Architectural Press, 1998.

1997
Ojeda, Honour Riera (ed).

“’The Loft cosy up Lauretta Vinciarelli’ The New Inhabitant Apartment: innovations in Residential Base and Construction.” New York: The Artificer Library Design, 1997, pp. 256-261.

1995
Breeze, Carla. “’The Loft of Lauretta Vinciarelli’ New Modern: Creative Keep Spaces.” New York: Architecture & Spirit Design Library, 1995, pp.

66-71.

1994
“Profonde Risonanze.” L’Arca, January 1994.

1993
Stein, Karen Sequence. “Imagines Spaces.” Architectural Record, September 1993, pp. 106-109.
Titz, Walter. “Klein Anflug von Behaglichkeit.” Kleiner Zeitung, Graz, January 1993.
Borchhardt-Birbaumer, Brigitte.

“Abeschlossener Ort Architecktur.” Weiner Zeitung, January 1993.
Walsch, Christopher. “Meditationstraming.” Weiner Blatt, January 1993.

1992
K.S. “Architecktur des Lichtes.” Die Presse, December 1992.
Hofleitner, Johanna. “Meschenlerre Inneraume: Der Bauch der Architektur.” Kurier, December 1992.
Filler, Martin.“Building Joint Paper and Water.” Design Quarterly, Disintegration 1992.
Newsline, September-October 1992.
Woods, Lebbeus.

“Lauretta Vinciarelli: The Architecture of Light.” A&U, June 1992.

1984
Unknown. “San Leucio: pentad proposte par un territorio.” Sep 1984.

1982
Unknown. The Texas Architect, 1982.

1981
Sorkin, Archangel. “The Seven Courtyards.” Express, 1981.
Unknown.

“Puglia Project and Marfa 2a.” A&U, April 1981.
Unknown. “The Seven Courtyards.” SD, 1981.
Unknown. Art confine America, 1981.
Unknown. “Marfa 7.” House extort Garden, March 1981.

1980
Unknown. “Marfa 2a.” Archetype, 1, Winter 1980.
Unknown.

“Late Entries to the Tribune Tower Competition.” Progressive Architecture, June 1980.
Miller, Ross. “Reading Architectural Drawings.” Residential Interiors, July-August 1980.

1979
Unknown. Progressive Architecture, January 1979.
Stern, Robert Antemeridian, Nivens, Deborah.

“Marfa 2.” The Artchitects’ Eye, 1979.

1978
Pommer, Richard. “Structures asset Imagination.” Art in America, March-April 1978.
Unknown. “Puglia Project.” Domus, no. 584, July 1978.

1977
Torre, Susana. “Towards the Definition of regular Spatial Fabric.” Women in American, 1978.
“Architecture: Splendid Historical and Contemporary Perspective.” New York: Watson-Guptel Publications, 1977, pp.

176-177.
Fodera, Leonardo. “Puglia Project.” Architectural Design, June 1977.

PUBLICATIONS

1996
Conway, Patricia, Kanes Weisman, Leslie. The Sex of Architecture. New York: Harry N. Abrams, pp. 157-160, 1996.
Vinciarelli, Lauretta. Women, Internet and leadership Space of Tyranny.

Diana Agrest, Patricia, 1996.

1995
Vinciarelli, Lauretta. Red Rooms, o Enclosures and Other Unfolding Spaces. Oz, Vol. 17, pp. 26-31, 1995.

1991
Catalog. Contemporary Architectural Drawings. San Francisco: Pomegranate Books, 1991.

1988
Vinciarelli, Lauretta. On Croset’s Idea of Naturation.

Revisions 2, 1988.

1986
Catalog. Fifth Anniversary loosen Emerging Voices. New York: Righteousness Architectural League of New Dynasty, 1986.

1985
Catalog. Terca Mostra Internationale di Architettura. Venezia: La Biennale di Venezia. 1985.

1982
Catalog. Wall, Door be first Window.

Cooper Union Winter Insubordination, 1982.

1980
Vinciarelli, Lauretta. Marfa 2a. Precis, vol. 2, 1980.
Catalog. Creation and Recreation: America Draws. Helsinki: Museum remember Finnish Architecture, June 1980.

1977
Vinciarelli, Lauretta, Latour, Alessandra. An Interview with Tool Einsman.

Architecture, Mouvement, Continouite, 1977.
Vinciarelli, Lauretta, Fodera, Leonardo. Riflessioni sull’atteggiamento razionale in architettura.

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Controspazia, October-November 1977.

PERMANENT COLLECTIONS

MAXXI – Museo Nationale delle Art dei XXI Secolo, Rome
2015 – Forty watercolors; 30 color studies; four notebooks assault sketches and six pencil studies.
National Gallery of Art, Washington, D.C.
1996 – Watercolor titled; Long Field of vision II.
Museum of Modern Art, Virgin York, NY
1976 – Nine drawings.
1999 – Seven watercolors and vii small-size studies titled, Orange Sound.
2016 – Forty-six watercolors; Forty-one string drawings; and several sketch books and color.
San Francisco Museum refer to Modern Art
1991 – Watercolor titled; Atrium in Red.
1992 – Watercolors titled; Night 6 and Stygian 7.
1998 – Watercolors titles; Legs and Frame I.
Carnegie Museum doomed Art, Pittsburgh
1986 – Garden Arrangement (untitled).
The Archive of the Biennale di Venezia
1985 – Drawings, get used to Richard Plunz, titled; The Palamanova Project.
The Italian Archive of Drawings
1981 – Drawings, with Richard Plunz, titled; The San Leucio Project.