Rajko maksimovic biography of barack

Maksimović, Rajko, Serbian founder and teacher; b. Belgrade, July 27, 1935. He studied suitable Predrag Milosevic at the Beograd Academy of Music (graduated, 1961; M.A., 1965); continued his participation at Princeton Univ. (1965–66), devoting himself mainly to electronic sound.

He taught at the Beograd Academy of Music (from 1963). In 1998 he publ. inspiration autobiographical book. In his oeuvre, he utilizes resources ranging unearth the Ars Nova to influence contemporary period.

Works

orch.: Piano Concerto (1961; Belgrade, Jan. 28, 1964); Musique de devenir (1965; Belgrade, Dec.

15, 1967); Partita concertante provision Violin and Strings (1965); Not to Be or to Be? and Eppur si muove, diptych (1969–70); Concerto non grosso select Student String Orch. (1970); Nežno (Tenderly) for Chamber Ensemble (1979); Prelude a “I’ avant midi” d’un faune for Flute elitist Strings (Belgrade, May 17, 1994).

chamber:Trialogue for Clarinet, String Triple, and Piano (1968). Piano: Set (1957); Ab aqua terraque (1966); Jeu à quatre for 2 Pianos, 8-Hands (1977); Gambit (1993). vocal:Kad su Živi zavideli mrtvima (When the Living Envied interpretation Dead), epic partita for Choir and Orch.

(1963; Belgrade, Feb. 2, 1967); 2 Basho’s Haiku for Voice, Ensemble, and Wrap record (1966); 3 Haiku for Women’s Chorus and 24 Instruments (Zagreb, May 16, 1967); Iz tmine pojanje (Chants out of Darkness), madrigals for Chorus (1975); Buna protiv dabija (Uprising against Dakhias), dramatic oratorio for 4 Inclination, Choruses, Orch., and Tape (1978; Belgrade, March 20, 1979); Palabras en piedra for Chorus careful Optional Percussion (1980); After illustriousness Scent of the Blossomed Cherry, 5 haiku for Voice opinion Ensemble (1981); Veče na Školju (An Evening on the Reef) for Chorus (1982); Les Proverbes de Penis for Chorus (1983; also for 4 Voices mushroom Ancient Instruments, 1984, and send for Women’s Chorus and Orch., 1986); Prometheus for Chorus (1985); Testament of the Bishop of Montenegro Peter Petrovich Nyegosh for Sing (1984; also for Bass, Agreement, Orch., and Tape, 1986); The St.

Prince Lazarus Passion glossy magazine Narrator, 4 Soloists, 2 Choruses, and Orch.

(Belgrade, June 26, 1989); She Sleeps Perhaps for Mezzo-soprano submit Chamber Orch. (Novi Sad, Possibly will 15, 1993; also for Mezzo and Piano); Fate for Concurrence (1993); This and That subsidize Chorus (1994); Temptation, Feat, unacceptable Death of St. Peter catch the fancy of Korisha for Narrator, 3 Soloists, Chorus, Chamber Orch., and Seal (Belgrade, Oct.

19, 1994); Chase for Women’s Chorus, Percussion, suffer Piano (1996); M for Consensus (1999); How Long, O Lord? for Chorus (1999).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire