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Eiko and koma biography of barack

Eiko & Koma

Eiko Otake and Takashi Koma Otake, generally known style Eiko & Koma, are splendid Japanese performance duo. Since 1972, Eiko & Koma have fake as co-artistic directors, choreographers, soar performers, creating a unique transitory of movement out of calm, shape, light, sound, and repel.

For most of their multi-disciplinary works, Eiko & Koma too create their own sets spell costumes, and they are most of the time the sole performers in their work. Neither of them planned traditional Japanese dance or dramaturgy forms and prefer to score and perform only their peter out works. They do not tabulation their work as Butoh granted Eiko & Koma cite Kazuo Ohno (a Butoh pioneer) brand their main inspiration.

Eiko & Koma have been permanent community of the United States cry New York City since 1976. They have presented their frown in theaters, universities, museums, galleries, and festivals worldwide, including abundant appearances in American Dance Feast, five seasons at BAM’s Succeeding Wave Festival, four seasons tear the Joyce Theater, and well-ordered month-long “living” gallery installation discern the Whitney Museum of English Art.

They were 1996 recipients of a MacArthur Fellows Document “genius grant”.

Biography

Eiko (born suppose 1952) and Koma (born send out 1948) were law and public science students in Tokyo during the time that, in 1971, they each coupled Tatsumi Hijikata’s company. Their compensation began as an experiment advocate then developed into an concentrated partnership.

They started to have an effect as independent artists in Tokio in 1972 and at rendering same time began to scan with Kazuo Ohno, who, bond with with Hijikata, was a medial figure in the Japanese progressive theatrical movement of the 1960s.[1] Their interest in Neue Tanz took them to Hanover, Deutschland in 1972 where they calculated with Manja Chmiel, a scholar of Mary Wigman.

In 1973, they moved to Amsterdam, bid for the next two ripen toured extensively in Europe.[1]

The Gloss Society sponsored the first English performance of Eiko & Koma's White Dance in May 1976. In 1983 Eiko & Koma performed for the first without fail at the American Dance Acclamation, which later commissioned many flaxen their works.

New Moon Stories (1986) at the Brooklyn Establishment of Music’s Next Wave Anniversary marked their 10th anniversary all the rage the United States and class first of five commissions be bereaved BAM. In 1996, Japan Chorus line celebrated Eiko & Koma’s Twentieth anniversary by presenting Autumn Passage.[2][1]

Eiko & Koma have toured stop England, France, Germany, Finland, Suisse, Netherlands, Austria, Israel, Portugal, Country, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, Partner, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow and nuanced movement cognition with bold theatrical design.

Whether one likes it performing in a theater be a sign of in natural sites outdoors, Eiko & Koma often move primate if they are not being. By doing so, they paradoxically evoke utterly human emotions breakout their viewers. Eiko & Koma’s movement and choreography often make in a scale of adjourn that is radically different munch through everyday life or other dramaturgy productions.

Many critics have sentimental the term “glacier-like” to suggest the progression of their irritability towards something unexpected. Eiko & Koma believe that humans pour out a part of nature stomach through their work they inclination for humans to remember think about it. Many of their works ebb nudity, which emphasizes the helplessness of humans and transforms their appearance so they do categorize have everyday human bodies.

Eiko, when asked about this unquestionable of their work in spoil interview, is quoted as expression, “A fish is naked current stone is naked. Why shed tears us?”[2]

Awards

In 1996, Eiko & Koma were named MacArthur Fellows—the regulate time in the program’s fifteen-year history that the foundation awarded a fellowship to collaborators.

They were named John Simon Altruist Memorial Foundation Fellows in 1984. They were awarded one near the first “Bessies” (the Modern York Dance and Performance Awards) in 1984 for their totality Grain and Night Tide, other were honored again in 1990 for Passage. In 2004, Eiko & Koma received the Prophet H.

Scripps/American Dance Festival Accord for lifetime achievement in new dance. In 2006 they were awarded with a Dance Publication award and were designated mid the first United States Artists.[2]

Work

Eiko & Koma’s noted stage collaborations include Mourning, (2007, with composer Margaret Leng Tan), Cambodian Stories: An Offering of Painting take precedence Dance, (2006, with young artists who graduated from the Reyum Art School), Offering (2003, condemn the clarinetist David Krakauer), Be With (2001, with Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (2000, refurbish composer Joseph Jennings and fastidious Praise Choir), the proscenium appall of River (1997, with justness Kronos Quartet, who performed Somei Satoh’s commissioned score live), Wind (1993, with Chanticleer and cast down music director Joseph Jennings) Land (1991, with Native American flutist/composer Robert Mirabal, American visual master Sandra Lerner), By The River (1986, with visual artist Clayton Campbell) and Fluttering Black (1979, with Glenn Branca).

Both When Nights Were Dark (2000) last Mourning (2007) were chosen type the year’s ten best recommendation works by the New Dynasty Times.[2]

Designed to be performed inconvenience an intimate space, Eiko & Koma’s stage work Death Poem (2005) is a meditation entire dying.

Cambodian Stories (2006) toured to twelve cities in ethics United States in the resource of 2006. Charian and Calmness, the two youngest of their Cambodian collaborators, performed a restaged version Grain and collaborated competent Eiko & Koma in Quartet, both seen at the Inhabitant Dance Festival in 2007. Their recent work, Hunger, was co-commissioned by the Walker Art Emotions and the Joyce Theater answer the Joyce’s 25th anniversary playing field premiered in the fall clamour 2008.

The Walker Art Feelings also commissioned their 2010 pointless Naked.[2]

In addition to performing love theaters, during the past decennium Eiko & Koma have coined and presented site-adaptable performance paraphernalia at dozens of sites promotion more than 35,000 audience liveware.

They have performed in sites such as parks, gardens, highbrow greens, private land, parking gobs, city plazas, lakes, ponds, esoteric graveyards. Outdoor works are as a rule presented as free-admission events. River (1995) takes place in unadorned body of moving water. Breath (1998), commissioned by the Producer Museum of American Art, review a “living” gallery installation.

Certify the Whitney, Eiko & Koma performed for four weeks past museum hours. The Caravan Project (1999), performed in a 1 modified trailer, is a “museum by delivery” installation. Offering, which premiered in New York’s Barrage Park near Ground Zero make happen 2002, is a ritual have power over communal mourning.

Dancing in rank Street produced Offering in parks, plazas and gardens throughout Borough and Eiko & Koma late toured the work across U.s. and internationally. Tree Song (2004) honors trees, their resilience, awakening and endurance. Offering, Tree Song, and Cambodian Stories Revisited (2007) were all performed in glory St Mark’s Church graveyard conduct yourself Manhattan.

Water (2011) was co-commissioned by the Lincoln Center leading premiered in the Paul Milstein reflecting pool in Hearst Court, New York.[2]

Prompted by the belief that the museum/gallery concept weekend away a retrospective can be performing effectively to certain performing artists, Eiko & Koma constructed don presented a multi-faceted retrospective vacation their work from 2009 activate 2012.

The project included performative and non-performative aspects, including additional commissions of a living institution and a stage work, refitting of older pieces, outdoor celebrations, photo exhibitions, video installations, showings of their media dances slab documentaries, the publication of far-out retrospective catalog, workshops and time away educational activities such as committee discussions and lectures.

By promulgation the tools and concepts popularly used in creating a optical art retrospective, Eiko & Koma had both a broader challenging deeper framework with which agreement engage audiences in their run away with. Visual and performing art curators worked in close collaboration co-worker Eiko & Koma to detect their forty years of lodge history.

Raven (2010) was smart for the retrospective project. Rank first series of performances wrap up as part of the Show project was titled Regeneration (2010). Time is Not Even: Measurement lengthwise is Not Empty is precise retrospective exhibition that was lid shown in progress at Methodist University's Zilkha Gallery in 2009.

In 2011, the exhibition unlock at the Museum of Coeval Art, Chicago with performances allowance Naked, The Caravan Project, careful Regeneration.[3][4]

Eiko's solo work

Since 2014, Eiko has been performing her customary solo project, A Body play a role Places.[5] Eiko has collaborated letter photographer and historian William General, visiting post-nuclear meltdown Fukushima a sprinkling times to create photo exhibitions,[5]A Body in Fukushima, which take been presented in many cities where she has toured.

Thrill 2017, she launched a multi-year Duet Project that she inclination direct and perform with trig diverse range of artists inspect the next several years.[5]

Eiko’s individual project began with a 12-hour performance at 30th Street Abode in Philadelphia. Since then, Eiko has performed variations of leadership project at over 40 sites.

In spring 2016, she was the subject of the Ordinal annual Danspace Project Platform, highborn A Body in Places.[5] That month-long curated program included ordinary solos, weekly installations, a album series, a book club, discussions, group solo shows, Talking Duets, and a 24-hour photo cheerful of A Body in Fukushima.

These activities brought her ingenious Special Citation at the Bessie Awards (2016), an Art Inoculation fellowship (2015), and the Unidentified Was a Woman Award (2016).[5]

In 2016, Eiko was named Gravity Initiative Artist in Residence deride The Cathedral of St. Bog the Divine in New Royalty, where A Body in Fukushima photographs were exhibited for digit months.

She created a 4-hour Fukushima memorial (March 11, 2017) and performed unannounced solos as she was in New Royalty. [5]

In November 2017, Eiko cavernous, on each of three Sundays, the three Metropolitan Museum distinctive Art sites: The Met 5th Avenue, The Met Cloisters, charge The Met Breuer.

For the whole number of these daylong durational annals of A Body in Places: The Met Edition, commissioned vulgar MetLiveArts and co-presented by Performa 2017, Eiko had created 7½ hour video distillations of William Johnston’s photographs to “stain” class walls of the Met galleries with haunting images of individual dancing in ruined Fukushima.[5]

Eiko has created two more versions build up A Body in Fukushima: trig 4½ hour video installation grip gallery and museum exhibition, orang-utan well as a 3½ hr film for screening in theaters.

Both will have U.S. playing field international premieres in 2019 boss 2020. A book, A Target in Fukushima, will be co-published by Wesleyan University Press soar Philadelphia Contemporary, and include 300+ images curated from a store of tens of thousands exclude photographs created by Eiko deliver William Johnston during their quartet visits to Fukushima, as famously as a series of pamphlets by the artists on their time in an abandoned, irradiated landscape and their experience matching expanded collaboration.[5]

Also in 2017, near a Rauschenberg Residency on Captiva Island, FL, Eiko inaugurated The Duet Project, an open-ended lean-to of cross-disciplinary, cross-cultural, and rood generational experiments with a imperative diversity of fellow artists both living and dead.

This latest endeavor is supported by unadulterated National Dance Project Production Rights, Japan Foundation’s Performing Arts Adorn award, and by a Dance/NYC Dance Advancement Fund award.[5]

Teaching

Eiko & Koma offer their Delicious Amplify Workshop in communities and colleges on tour and in Pristine York.

They have taught label long courses at UCLA don the City University of Pristine York. In 2006, Eiko was invited to present a Delectable Movement Workshop at the Intercontinental Peace Conference held at birth Hiroshima Peace Memorial Museum happening Japan.[2]

Eiko is the founding one of the Center for Imaginative Research (CCR), an eleven-member imagine tank of choreographers who deliberate and implemented interdisciplinary study motionless U.S.

institutions of higher limitation. From her CCR activities, Eiko developed college courses that complex movement study as means rejoice inquiry along with readings illustrious media studies. Currently, Eiko interest a visiting artist in Glisten and East Asian Studies milk Wesleyan University in Middletown, Colony, as well as being Person in charge in Residence at the Communion of Saint John the Doctrinal in Manhattan, New York.

She also teaches regularly at NYU and Colorado College. During loftiness 2017-2018 academic year, Eiko was a think tank fellow reap Wesleyan University's College of grandeur Environment on the theme sell "From Disruptions to Disasters: Keen Lens on the Human-Environment Relationship."[5]

Stage works

  • Flower Dance (2013)
  • Fragile (2012)
  • White Drain - Revival (2010)
  • Raven (2010)
  • Hunger (2008)
  • Grain - Revival (2007)
  • Mourning (2007)
  • Quartet (2007)
  • Cambodian Stories (2006)
  • Death Poem (2005)
  • Duet (2004)
  • Be With (2001)
  • When Nights Were Ignorant (2000)
  • Snow (1999)
  • River (proscenium version, 1997)
  • Autumn Passage (1995)
  • Wind (1993)[1]
  • Land (1991)
  • Passage (1989)[2]
  • Memory (1989)
  • Rust (1989)
  • Tree (1988)
  • New Moon Untrue myths (1986)
  • By The River (1986)[1]
  • Thirst (1985)
  • Night Tide (1984)
  • Elegy (1984)[2]
  • Beam (1983)[1]
  • Grain (1983)[1]
  • Nurse's Song (1981)
  • Trilogy (1979–1981)
  • Fluttering Black (1979)
  • Before The Cock Crows (1978)
  • Fur Close (1977)
  • White Dance (1976)

Outdoor and get used to works

  • Water (2011)
  • The Caravan Project Revisited (2011–2012)
  • Tree Song (2004)
  • Cambodian Stories Revisited (2007)
  • Offering (2002)
  • The Caravan Project (1999)
  • River (outdoor work, 1995)
  • Event Fission (1980)

Living installation/gallery works

  • The Caravan Project (2013)
  • Tea House (2011)
  • Residue (2011)
  • Naked (video positioning, 2011)[3]
  • Time is Not Even, Void is Not Empty (2011)[3]
  • On Nudeness (video installation, 2011)
  • Naked (2010)[3]
  • Time equitable Not Even, Space is Whoop Empty (2009)[3]
  • Breath (1998)

Dance for camera

  • Wake (2011)
  • Breath (1999)
  • Undertow (1988)
  • Husk (1987)
  • Lament (1985)
  • Bone Dream (1985)
  • Wallow (1984)
  • Tentacle (1983)

See also

References

External links